After a string of latex-centric, fetish-oriented posts, it’s time for a small departure. For years, I wanted to recreate in Second Life a famous painting by Édouard Manet[1]: Olympia[2], where Victorine Meurent[3] posed as a demimondaine of the time. At its first public appearance at the 1865 Paris Salon, this painting shocked the audience with the model’s confrontational, disdainful gaze, as well as several other details. Below, I’m giving you my take on Manet’s painting, and I’ll discuss the painting, its social and historical context, as well as why I relate to it and became inspired by it.

La Demimondaine
La Demimondaine
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NOTICE: This post discusses matters of an erotic, fetishistic, and romantic nature. If you are not legally allowed to read such material, and / or if such readings and images offend you, I suggest you leave right now.

Getting ready...

Mona-Doll is Mistress Ani’s permanent submissive rubber doll. Its former self, the woman that once was, is locked, sealed, and protected under multiple layers of deliciously shiny latex forever; what emerged is a hooded, faceless, silent fuckdoll, a fucktoy, a rubberslut for its Mistress with exaggerated features.

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NOTICE: This post discusses, among other topics, matters of an erotic, fetishistic, and romantic nature. If you are not legally allowed to read such material, and / or if such readings and images offend you, I suggest you leave right now.

Breaking from the tradition of the previous instalments in the “My Digits” series, I’m making this post relatively early in the year. If I were to strictly follow the meme / blogging challenge by Strawberry Linden (née Singh) that I first encountered way back in 2013, I’d have to publish it sometime in late June / early July. However, it’s a very old meme, and even Berry herself doesn’t seem to be continuing it, so it’s pretty much disappeared from every Second Life blogger’s radar.

The trusty Avatar Ruler from [OO] gets pulled out once again, for another “My Digits” post…
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NOTICE: The subject of this post is of an erotic, fetishistic and romantic nature. If you are not legally allowed to read such material, and / or if such readings offend you, I suggest you leave right now.

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In 2021, I started blogging on a semi-regular basis again, although it still depends heavily on my RL schedule. I also reclaimed my fetishes, of which I was once robbed, and I found myself spending practically all of my in-world time fully encased in shiny latex – and loving every moment of it. Furthermore, 2021 was the year when my best friend in SL became my Mistress.

As I’ve written before, I’m always looking for ways to further develop and enhance my latex look, so that it will reflect my desires, my deepest fantasies, and my emotions towards Mistress. Of course, my latex look is highly sexualised; very highly sexualised, in fact. It’s one way for me to express my feelings for Mistress, and She understands this very well. Also, I aim to make my look transgressive – if you want, this is a statement of sorts: I’m done caring about conservative snowflakes who run sims rated “moderate” or “adult”, or sell “adult” furniture, yet demand that their patrons adhere to a “family-friendly” dress code.

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NOTICE: The subject of this post is of an erotic, fetishistic and romantic nature. If you are not legally allowed to read such material, and / or if such readings offend you, I suggest you leave right now.

When I wrote my post “Back in Rubber” back in January, I was celebrating the success of an emotional effort that started way back in early 2020. I was trying to reclaim my desires and fetishes, from which I’d become alienated after a slow, protracted, and agonising break-up. What put the final touch in this break-up was a venomous fatal crosspost which hurt me very deeply, but, in retrospect, served as an eye-opener of sorts.

Reclaiming my desires and fetishes made me a lot more enthusiastic about them, and even about Second Life itself. So, I I’ve spent practically all my in-world time covered in my latex outfit since then and under RLV / RLVa restrictions. The only times I got out of it only were for short photoshoots, for the needs of blog posts that covered different themes and aspects of SL, and I only bothered logging in with RLV / RLVa switched off when I needed to tinker with my outfits or attend Linden Lab’s in-world user group meetings. As I travelled across the grid throughout the year, I saw that no one raised an eyebrow at my openly sexualised and utterly fetishistic appearance. In fact, it drew a fair deal of compliments. Of course, this was encouraging and gave me a much-needed confidence boost. I also had an opportunity to do a photoshoot with my good friend the Zany Zen, creator of the Zany Zen Railway (ZZR), back in July.

On the subway with the Zany Zen
From my photoshoot with the Zany Zen in late July. You can also find this picture on Flickr (it’s rated as moderate, so you need to log in with your Flickr account and ensure you can view such material).
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