Will Burns (SL username: Aeonix Aeon)

Will Burns (SL username: Aeonix Aeon)

Both in SL and in RL, I’m quite lucky in being honoured with the friendship of knowledgeable people who rise above the typical level of discourse and speak in a down-to-earth, matter-of-fact, manner, with arguments based on facts, logic, and knowledge, rather than fear and “common wisdom” – which, more often than not, is actually common myth. One of these people who have bestowed on me the honour of their friendship is William G. Burns III (SL username: Aeonix Aeon, SL display name: Will Burns), a published academic, and former Vice Chair of the IEEE’s Virtual World Standards Group. A published and respected researcher and professional in the field of virtual reality and virtual worlds in his own right, Will understands the potential – creative, cultural, and commercial – of virtual worlds that very few commentators in Second Life can rival, and he is not one to mince his words. His criticism of Linden Lab CEOs past has always been very severe and, although back then it might have seemed too harsh, with the benefit of 20/20 hindsight I can now see he was just calling things the way they were.

Now, Second Life is, as we all know, in slow decline. Many of its old users are gone, either because they no longer care, or because the ongoing global financial woes have priced them out of what is essentially a costly pastime for people with disposable income and time (two things few members of what was once known as the middle class still have), or because they died away. New user retention is, as has always been the case, disappointing, and more and more private regions sink into oblivion like the lost continents of myth and legend. However, SL still has a vibrant economy, which is based on the creation and sale of various virtual goods – from hairdos to cars and from clothing to furniture. And this economy supports a rather expansive ecosystem of merchants, regardless of whether their products are entirely their creation, or based on resources purchased from other markets like CGtrader.

SL’s merchants apply all sorts of different business models, but there is a common denominator: They are extraordinarily precious about their creations, even if they are nothing but very crude retextures of full-perm templates – sometimes even less than that. One look at most content creators’ dire, straight outta Bible, “fire and brimstone”, DMCA warnings is more than enough. In the past, many in-world shops had employed CS- and ToS-violating devices that promised (without delivering, but that’s another story) to “detect” potential copybotters. In other cases, store owners ejected and / or banned store visitors for idling, because they genuinely believed that, if you’re AFK in a store, then you are by definition a copybotter. Almost four years ago, a rather botched amendment to LL’s ToS got numerous content creators up in arms, claiming – of all things – that LL itself was “trying to steal their content”; much hilarity ensued, with several creators even ragequitting SL. It is, thus, an unfortunate fact of Second Life that it is very hard to have a calm, reasonable, and rational discussion on merchants’ intellectual property, on the implied and express licences they need to provide to LL so that the virtual goods can be displayed and sold to the customers, and – eventually – consumer rights. Unfortunately, much of the blame must be put on Philip Rosedale, who, regardless of whatever innovative ideas he may have had, has always been a bit of a demagogue. The promises given in 2003 have essentially been haunting SL ever since, often putting customers and merchants on a collision course, with very little – if any – room being given to the rights of the consumer. Naturally, things were further exacerbated, with the stance of many merchants going to full-on prokanoia with the Great Copybot Scare of 2006, which has never quite gone away.

In more recent times, the suspicion with which SL merchants have traditionally viewed customers has taken new forms: Mesh body creators demand that apparel, jewellery, shoes, etc. created for their bodies be non-modifiable, “to prevent copybotting”, even though permissions have exactly zero impact on a Copybot viewer’s ability to intercept and extract an object. We have the infamous “anti-rez” scripts, which are another form of “anti-copybot” snake oil. And so on, and so on. So, to have an honest, open, no-nonsense discussion on this risky topic, I needed to talk to someone who actually knows what he’s talking about and doesn’t mouth off based on false assumptions and blatant misunderstandings of web-based platforms like Second Life. Inspired by the licensing suggestions he made in this post on his blog, I invited him over to my always work-in-progress café, and we had a lengthy, but most enjoyable and productive, discussion.

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The Somdari station.

The ZZR’s Somdari station (rated: Moderate). As always, please click on any picture for its full-size version, which opens in a new window.

My good friend and neighbour Zen Swords (ZenriaCo Resident), a.k.a. the Zany Zen, has been working on her labour of love, the Zany Zen Railway (ZZR for short), for a few years now, documenting her efforts and progress on her SL feed, and we’ve hung around quite a bit as she was working on her narrow gauge locomotives, train station builds, and other infrastructure. Yes, the locomotives, carriages, buildings, and many other pieces of decor were made by her, using the in-world build tools and third-party in-world mesh creation systems and converters. At this stage, the ZZR consists of four stations (Somdari, Ahndang, Seogyeo, and Little Coverston)  I found her work really fascinating, with many quaint, humorous, realistic, and even whimsical details and touches, and we’ve been talking about arranging an interview for some time now. Eventually, we managed to find some time and today I’m giving you this interview.

The Zany Zen

The Zany Zen

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Brand New Colony (February 2018).

Brand New Colony (February 2018). As always, click on any photo to view its full-size version (opens in a new tab).

Last September, I had visited Bunny and Mimara Blessed’s (Svelte Blessed, and Mimara, respectively) beautifully-designed adult-rated region named Brand New Colony, and wrote about my exploration of it. In the meantime, the build moved to a new location and was also subjected to a radical redesign. Although I visited the redesigned, and still work-in-progress, build soon after its relocation, RL obligations meant I had to postpone writing about it.

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There Is Hope In Solitude, an exhibit by Oyo at the Nordan Art Gallery.

There Is Hope In Solitude, an exhibit by Oyo at the Nordan Art Gallery. Click on any image for its full-size version, which opens in a new browser tab.

This Saturday (20 January), I was invited by my friend Kate Bergdorf to attend the opening of an exhibit titled There Is Hope In Solitude, by SL photographer Oyo.  The exhibit, which runs from January through March 2018, consists of ten virtual images, all of them revolving around the concept and condition of solitude, and addressing different aspects thereof. The exhibit is based on two other works of art, one being a poem by Oyo herself, and the other being the song Gone by ionnalee:

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My relationship with SL-related memes and blog challenges falls squarely in the “I’ll do it when I can be bothered” category, as my RL is quite busy. Furthermore, I’ve never been one to rely on memes and challenges initiated by others to fill my blog with material. But sometimes, I just happen to be in the mood to do a meme or a challenge. So, for today’s Topless Tuesday… (credits after the cut)

Happy Topless Tuesday! Click on the image for the full-size version (opens in a new tab).

Happy Topless Tuesday! Click on the image for the full-size version (opens in a new tab).

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